MUD Celebrates Our Emmy Grads: Natalie Driscoll and Melissa Buell

Natalie Driscoll

Another accomplished MUD Grad from our Los Angeles school is hairstylist to the stars Natalie Driscoll. Like so many make-up artists, Natalie was drawn to make-up since childhood. On her website bio she says “in my younger years I dreamt of doing hair and make-up for film, television, weddings, and events. By working very hard my dreams have come true. Today I am doing it all.” Earning a make-up and hairstyling certificate from Make-up Designory, Natalie Driscoll has since gone on to style the hair of countless movie and television stars, red carpet events, and special occasions. 

Winning the Emmy for Outstanding Hairstylist for a Limited Series or Movie for her work on The Assassination of Gianni Versace: American Crime Story, Natalie finds herself recognized by the Emmys for her fourth time. She also won the award for Outstanding Hairstyling for a Miniseries or Movie for her work on American Horror Story in 2012, was nominated again for her work on the same show in 2013, and won for her hairstyling on American Crime Story in 2016.  

Photo courtesy of FX

The nine-episode series investigates the murder of Gianni Versace by Andrew Cunanan in 1997. Stylistically the show holds on to European high culture amongst all the violence, starring beautifully tussled long haircuts, stylish runway updos, and clean men’s looks. Featured in InStyle and Vanity Fair, star Penelope Cruz’s daring fashion, make-up and hair on the show have created a lot of buzz in the entertainment community. Natalie Driscoll’s talents are certainly on full display. 

Melissa Buell

You might know her as the make-up artist responsible for Lea Michelle, Chris Colfer, Jane Lynch and other stars’ looks on hit TV show Glee. In fact, this MUD grad has been nominated three times for an Emmy for her work on the show from 2011-2013, including nominations for Outstanding Makeup for a Single Camera-Series and Outstanding Prosthetic Makeup for a Series, Miniseries, Movie or a Special. However, this time Melissa Buell returns to the MUD Emmy nominated list after 5 years with not one, but two nominations for her brilliant on-set make-up.  

Melissa Buell’s first nomination is for her work on “Money’s in the Chase,” an episode from the flamboyant 80s TV show GLOW. The episode is the show’s first season finale, which received glowing reviews for its “aim of authenticity as period comedy, modern character study, and respectful wrestling adaptation” [link Vulture article]. Having to prep the actresses with colorful 80s make-up fit for the wrestling ring, Melissa Buell and her work were clearly as popular with the critics as was the series’ dramatic ending. 

Photo courtesy of CNN

Buell is also nominated for Outstanding Makeup for a Limited Series or Movie (Non-Prosthetic) for her work on The Last Tycoon. The episode, “Oscar, Oscar, Oscar,” is also this series’ season finale, full of romantic drama, secret ties, and emotional fallout. The 1930s time period lends Buell the opportunity for flirty lashes, bold brows, and defining lip colors. Buell has also been recognized for her work on Tron: Legacy, Scream Queens, and Love.  

MUD Congratulates our Emmy Nominated Grads: Gina Ghiglieri and Kristina Frisch

Kristina Frisch

Kristina Frisch knew she wanted to be a make-up artist ever since she was a little girl. “It was the 1980’s and every movie had a transformation montage. The frumpy girl turned into a babe. The dorky kid into the werewolf. I thought ‘I want to do that.’ I just love transformations I guess” she says about her childhood dreams. Some might say Kristina’s childhood inspirations led her career full circle, as she has been nominated for an Emmy for Outstanding Makeup for a Single-Camera Series (non-prosthetic) for her work on 80s women’s wrestling TV show GLOW 

Choosing MUD because it “felt like a family,” in 2001, Kristina learned valuable lessons about on-set behavior in addition to the valuable make-up techniques. “The most important thing I learned at MUD was probably the basics of how a set works and what would be expected of me as a make-up artist working in films and on TV. You get to set, and you are expected to just know. That probably would have been even more terrifying if I hadn’t had a heads up” she says.

Photo courtesy of Business Insider

She advises aspiring make-up artists make the most of their time at school and on-set.  “Always admit when you don’t know how to do something or if you need help. If someone has to redo your work because you screwed up trying to do something you weren’t confident with it’s a lot more harmful than just asking for help in the first place. There is no shame in not knowing how to do everything.” If you’re still a student, the same applies as well. Every time you work on your skills, ask the questions you need to ask. Even the most qualified artists need some clarification.

Gina Ghiglieri

A MUD Grad from our Los Angeles school, there’s no doubt that Gina Ghiglieri knows how to work through the ranks. “Always stay connected to your peers…you will help each other navigate and pass on jobs to one another” she says. Her drive shows—not only is her beauty makeup impeccable, but she’s worked hard off the clock as well, including networking and staying connected with alumni. She even got her job on The Voice through networking, getting her name passed along to the department head as someone who did well on the make-up set for live TV competition shows.  

Now, Gina Ghiglieri is nominated for Outstanding Makeup for a Multi-Camera Series or Special (Non-Prosthetic) for her work on the faces of Addison Agen, Christina Danielle, Kyla Jade, and more for The Voice. “I seriously feel so blessed to be a part of it” she says. A beauty expert, she found a job with the creative freedom with Department Head, Darcy Gilmore and Key, Kristene Bernard, and excels as she works with the make-up and wardrobe department to make looks suited to each artist’s personal style. “We start early in the morning creating their looks and watch rehearsal to see if any changes need to be made based on lighting or wardrobe changes, and then add details and pops that take the make-up to the next level” she says, “and there is no room for error.”

Gina Ghighlieri advises recent grads to know their worth and stay focused on their career. “Whether it be to gain experience, compensation for your kit, tear sheets, meeting new people, etc., I never worked for free.” says Ghiglieri about her time as a recent grad. “If you have to take another job to pay the bills while navigating, make sure it’s make-up related, and it has flexibility for you to jump when projects arise. This line of work does not come quickly, and you have to put a lot of time and experience in to get to where you want to be” she says. Know you are qualified, and don’t settle. Especially with a MUD degree, why would you?

MUD Celebrates Our Emmy Nominated and Winning Grads

Everyone knows MUD grads are some of the most talented and professional artists in Hollywood, but the Emmy’s this year make us all particularly proud. MUD would like to officially congratulate our MUD Graduates Emma Faulkes and Natalie Driscoll on their Emmy wins!  Congratulations as well to our MUD Graduate nominees Melissa Buell, Kristina Frisch, Nicole Faulkner, Jen Fregozo, Gina Ghiglieri Carleigh Herbert and Hugo Villasenor.

In celebration, we will be posting make-up artist spotlights on each of our nominated alumni every weekday until the Emmy awards show. Stay tuned for success stories and advice from the following grads:  

2018 Emmy Winners
Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special
Emma Faulkes, Special Makeup Effects Artist: Game of Thrones • The Dragon and the Wolf
 
Outstanding Hairstyling for a Limited Series or Movie

Natalie Driscoll, Key Hairstylist: The Assassination Of Gianni Versace: American Crime 

2018 Emmy Nominees
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic)
Melissa Buell, Makeup Artist & Kristina Frisch, Makeup Artist: GLOW • Money’s in the Chase
 
Outstanding Makeup for a Multi-Camera Series or Special (Non-Prosthetic)
Nicole Faulkner, Makeup Artist & Jen Fregozo, Makeup Artist: RuPaul’s Drag Race • 10s Across the Board
Gina Ghiglieri, Makeup Artist: The Voice • Live Finale, Part 1
 
Outstanding Makeup for a Limited Series or Movie (NonProsthetic)
Carleigh Herbert, Makeup Artist: American Horror Story • Cult
Melissa Buell, Makeup Artist: The Last Tycoon • Oscar, Oscar, Oscar
 
Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special
Carleigh Herbert, Makeup Artist: American Horror Story • Cult
Hugo Villasenor, Special Makeup Effects Artist: Star Trek: Discovery • Will You Take My Hand?
Phone: 323-702-1136 number updated, left message 8/14/18
 
Congratulations, MUD graduates!

The Nominees are in… 2018 Emmys

It’s mid-July, and you know what that means: Emmys Season! Last week, this year’s nominees were announced, and we are prouder than ever of all the amazing MUD grads who made the list. Recognized for their work on Game of Thrones, GLOW, Ru Paul’s Drag Race, and more, here’s all the MUD grads that were nominated this year:

emmys2Photo: Associated Press

Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special

Emma Faulkes, Special Makeup Effects Artist

Game Of Thrones • The Dragon And The Wolf • HBO • HBO Entertainment in association with Bighead, Littlehead; 360, Television/Startling Television

 

Outstanding Makeup for a Single-Camera Series (Non-Prosthetic)

Melissa Buell, Makeup Artist

Kristina Frisch, Makeup Artist

GLOW • Money’s In The Chase • Netflix • Glitter Pictures, LLC

 

Outstanding Makeup for a Multi-Camera Series or Special (Non-Prosthetic)

Nicole Faulkner, Makeup Artist

Jen Fregozo, Makeup Artist

RuPaul’s Drag Race • 10s Across The Board • VH1 • World of Wonder Productions

 

Gina Ghiglieri, Makeup Artist

The Voice • Live Finale, Part 1 • NBC • MGM Television, Talpa Media USA, Inc., Warner Horizon Unscripted & Alternative Television

 

Outstanding Makeup for a Limited Series or Movie (Non-Prosthetic)

Carleigh Herbert, Additional Makeup Artist

American Horror Story: Cult • FX Networks • Twentieth Century Fox Television

 

Melissa Buell, Makeup Artist

The Last Tycoon • Oscar, Oscar, Oscar • Prime Video • TriStar Television, Inc. and Amazon Studios

 

Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special

Carleigh Herbert, Additional Makeup Artist

American Horror Story: Cult • FX Networks • Twentieth Century Fox Television

 

Hugo Villasenor, Special Makeup Effects Artist

Star Trek: Discovery • Will You Take My Hand? • CBS (CBS All Access) • CBS Television Studios / Secret Hideout / Roddenberry Entertainment

 

Outstanding Hairstyling for a Limited Series or Movie

Natalie Driscoll, Key Hairstylist

The Assassination Of Gianni Versace: American Crime Story • FX Networks • Fox 21 Television Studios and FX Productions

 

Congratulations to all that are nominated! 

Make-Up at the 62nd Annual Primetime Emmy Awards: January Jone’s Look

Image
January Jones

At the Emmy Awards this past Sunday, I saw so much navy blue on the red carpet I would have thought we were closer to January than September! And the side-shoulder, ethereal gowns were everywhere. Everyone just dazzled! So much classic taste and all around elegance distracted me from who was actually winning an award. Jane Lynch looked simply marvelous in the tight purple taffeta little number that just must have won her an Emmy for Glee. Toni Collette just looked radiant in a Valentino grey strapless gown. Her hair was perfectly primped and her makeup, flawless.

My favorite look of the night, however, was Miss January Jones. I was just in awe of her altogether. She wore black stilettos paired with a vibrantly robust Versace strapless blue gown with fantastic Madonna-like detail around the chest area. I couldn’t help but want to vogue right there in my living room! Her hair was soft and down, just grazing her shoulders. Her make-up was done beautifully. She had the complexion of a porcelain doll without any shine whatsoever. Her understated 1950’s eyeliner added to the dress’s bold statement, while accompanying the hair style in softening the entire ensemble.

To get January’s look:

Apply Loose Powder in Buttercream or Desert to prevent any visible shine in the hot sun or in the spotlight on the red carpet. Apply Endless Summer Bronzer to achieve that end-of-summer glow. The #710 Brush will allow you to apply Bronzer along the cheek bones, jaw line, and forehead areas. Apply just a touch of Rose Petal Cheek Color to the apples of the cheeks for warmth. January’s winged-out eyeliner is perfect and can be recreated applying the Black Cake Eyeliner with the #100 Brush. Make sure it is as even as possible when winging out the ends. Finish with two luscious coats of Volumnizing Mascara and for the lips, apply a soft pink color. I recommend Pink Twinkle Lipstick mixed with Shine Lip Gloss.

— Reiva Cruze